(Disclaimer: The following is a fictional, graphic and depressing description of a truly diabolical hentai. I do not endorse any of this and none of this should even be attempted in real life. Go directly to jail if you think otherwise. That being said, this was incredibly fun to write. Even if I get kicked for this, I think it'll be worth it. You have been warned.)
Gakkō no Kyūtīzu (Japanese: 学校のキューティーズ) (2021)
Gakkō no Kyūtīzu (Or School Cuties in English) is a Japanese hentai series produced by Mary Jane. The series is a Japanese retelling of the French film Mignonnes (or its more infamous name Cuties), with additional focus on Buddhist culture, Thai culture, racism and (obviously) sex. And it's considered to be a sequel series to the notorious 2016 hentai series Shoujo Ramune, since it features all of the main characters from that hentai alongside the new protagonist "Chen Ayako". It consists of six episodes and it later spawned a 2022 computer game produced by Tanuki Soft, which had previously produced the 2015 Shoujo Ramune game that was later adapted into the hentai.
Episode 1 introduces Chen Ayako, a neurotic Thai-Japanese middle school girl, who comes from a conservative Buddhist family. Ayako is looked down on and shunned by most of her peers for her brown skin and thick eyebrows. Her pitiful social life is further compounded by her very strict parents enforcing heavy boundaries on their daughter and expecting her to consistently get straight As (sound familiar?). Eventually, the aforementioned factors push Ayako to consider suicide. But as she leaves the school to go through with her plan, she is stopped by a trio of girls (originally from Shoujo Ramune): Adachi Tenka, Sayama Chie and Komako Semenovich. They notice her depressed look and they each call her pretty, in their own way. This shocks Ayako greatly, as she had never been complemented like that before.
The girls convince her to join their after-school dance club, managed by Tachikawa Kiyoshi (the central character from Shoujo Ramune). Kiyoshi thinks Ayako could be the perfect fit for the new dance quartet he's setting up, but he wants to see if she has what it takes. So while the other girls practice, Kiyoshi has Ayako dance for him alone. She's sluggish at first, but he is able to determine that she has low self-esteem. So he gives her complements, which brightens her spirits and she dances with more enthusiasm. He then directs her to do more lewd moves and then asks her to do them while naked, which she does with increasing hesitancy (this is where shit goes south). He then walks over and precedes to touch her body. She is initially very resistant to it, but finds herself soothed by his praises and is persuaded to do a multitude of sex acts with him (I warned you, didn't I?).
This goes on until its time for the girls to go home, and Kiyoshi tells her that she is now officially in the club. Ayako doesn't tell the other girls about her experience but it's heavily implied (and factual) that they all had similar experiences with Kiyoshi. She goes home and vaguely tells her parents that she's joining a dance club, which they accept because they've wanted her to take an extracurricular for a while. The episode ends with Ayako in bed with a whirlwind of emotions in her mind before choosing to pleasure herself to sleep, happy that she found a 'new meaning of life' (this shit gets dark, but what do you expect from a Cuties adaption?).
Episode 2 has the girls begin dancing as a collective unit, and they gradually begin to incorporate the lewder moves. Unbeknownst to them, Kiyoshi is watching the practice from his office while beating his meat (he may be accommodating, but he's still a sick man). This particular episode covers Ayako's relationship with Chie. Chie warms up to Ayako very quickly, and even stands up to the latter's bullies one day. Ayako is very grateful for this and Chie manages to convince her to eat sugary treats (ice pops, yogurt, etc) with her new friend, telling her that its okay to break the rules as long as you're sneaky about it. Ayako decides to invite Chie to her house while the parents are away at a PTA meeting. They make a red velvet cake and then eat it together before engaging in passionate sex (its a lolicon hentai) in the living room. Afterwards, they successfully clean up the mess and Chie is able to leave just before Ayako's parents come back home. The episode ends with Ayako, tired but happy, touching herself in the shower (this is vanilla as the series will get).
Episode 3 has the girls finalize their provocative dance routine while Kiyoshi watches on with increasing approval. He tells them to get ready because they'll soon be performing for a live audience for the first time as a group. This particular episode covers Ayako's relationship with Komako. Komako sympathizes with Ayako because she too is considered a foreigner (she's half Russian), and they both are increasingly targeted by the other students. They decide to sneak into a secluded waterfall and bathe together, where they both reminisce about their relationship with Chie. Ayako considers herself ugly, but Komako assures her that she is very pretty. They then engage water intercourse (this is becoming a trend) before deciding to head home. But on the way, they are assaulted by a group of bullies who call them ethnic slurs and flip up their skirts to take pictures of their panties before preceding to post them online. Ayako, fed up with the torment, consoles Komako before heading home. She tells her parents what happened, but they tell her to suck it up and deal with it. The episode ends with Ayako sneakingly stealing her mother's phone to snap a picture of her genitals and post them online (this disgusting shit happened in the movie btw).
Episode 4 has the girls prepare for their first live performance, but there's a problem. Ayako's picture had circulated across the school, and the other students are even more derogatory towards her. One boy starts to beat on her until Tenka violently knocks him out with a punch. Ayako's parents viciously scold her for this transgression, but they ignore the suggestion of the school psychologist that their daughter should undergo therapy. Instead, they subject her to a brutal Buddhist exorcism ceremony (this'll get the Buddhists in an uproar, and yes, this despicable act resembles that scene from the movie). Ayako is shaken up by the experience and has second thoughts about performing, but Tenka (who is the main singer) passionately tells her that she is a valuable member of the group and that she will always be their friend. They then make out and sneak into a outhouse to have sex (you knew this was coming) before their big performance. When the time comes, all 4 girls sing and dance in lewd unison to an audience of mixed reception. The episode ends with Ayako feverishly pleasuring herself on sitting on a toilet and eating candy (oh, its going to get worse).
Episode 5 shows that time has passed over a few months, and the girls have performed multiple shows in Japan up to this point. Ayako has to go with her parents on a trip to Bangkok, Thailand. But Kiyoshi has brought the other girls on the same flight (not a coincidence) for their first (hopefully only) overseas performance in Pattaya. Ayako is left by her parents in an apartment while they go on a business trip, but Kiyoshi picks her up and takes her along with the other girls in a rented van for the drive to Pattaya. During the drive, Ayako opens up about her earlier struggles and her suicide plan before meeting the girls, telling them they are the best thing that ever happened to her. As the 4 girls tearfully embrace, Kiyoshi fiendishly has everything in motion. They all arrive in Pattaya (the capital of sex tourism) and they hold the biggest show they've ever performed (Thailand is going to be furious). They pull out all the stops for their audience of depraved sex tourists of multiple nationalities (they're all ugly bastards).
After the performance, Kiyoshi treats the girls to a delicious buffet inside the van and he persuades them to celebrate by 'having fun' with each other and with him. But before they can begin, a knocking is heard in the van and Kiyoshi discovers that some of the sex tourists have tracked him and the girls to the van. They beg him to join in the action, which he refuses yet he allows them to watch from outside in exchange for a fee (told you he was sick). So Kiyoshi precedes to have a gratuitous orgy with the four girls while a bunch of ugly bastards aggressively stroke it from outside (this feels awfully like a Aristocrats joke without the punchline). When the action is finished, the sex tourists demand that they have a piece of the girls and they start banging on the van. Kiyoshi (having some semblance of a soul) drives off away from them and back towards Bangkok. The girls calmly reflect on their experience while Kiyoshi is anxiously driving. But when he makes it back to Bangkok, he discovers that Ayako's parents have already come home.
Episode 6 has the parents discover what their daughter has been actually doing, and they are apoplectic with rage (first thing they've done right). The police had already been called and they're on their way. Kiyoshi and Mr. Chen engage in a bloody fight while Mrs. Chen demands for her daughter to step out of the van, which she angrily refuses to do. While Ayako vents to her mother about her awful childhood, Kiyoshi gains the upper hand over Mr. Chen and viciously beats him to death. Mrs. Chen is distraught over this and screams for help, but Kiyoshi just snaps her neck. The girls, particularly Ayako, are understandably traumatized over the ordeal, but that's when the police arrive. Kiyoshi (probably thinking a pair of murder charges is much more preferable to being charged with dozens of sex crimes against minors, and he'd be right to think that) accepts his fate and surrenders to the Thai authorities.
Kiyoshi and the girls are extradited back to Japan on two separate flights. The girls decide to lie about their sexual experiences with him (so that they won't be separated), and make up a story about how he just snapped and killed Ayako's parents in the heat of the moment. Kiyoshi is sentenced to 25 years in prison for the murder of Mr. and Mrs. Chen (and nothing of value was lost!). Sayama Yuuko (Chie's mother) decides to adopt Ayako, and the young girl is given the therapy that she needs. Despite everything that happened (they all had to go to a new school, yet they were able to stay together), the 4 girls vow to remain friends and their bond is stronger than ever. By the beginning of summer, Ayako was finally at peace with herself. While she's still looked down on for her skin color and eyebrows, she is able to endure it with a far more healthy support system and with the help of her dear friends. After the school year is over, the 4 girls get treats from the candy store that Kiyoshi used to run. Then, as a figurative middle finger to their past strife, they break into their old school (that's closed for the summer) and they have one last sex scene with each other in what used to be their classroom (a messed up, yet cathartic, way to end this disaster).
Gakkō no Kyūtīzu received a very mixed reaction from the regular hentai consumers. While the animation and emotional scenes were praised, it was criticized for being too depressing, focusing too much on Ayako's struggles because of her skin and for incorporating any element from the universally reviled Cuties when it could've been much better off doing its own thing. The hentai was lambasted by some western outlets, but the outrage was considerably more muted than it was Cuties. Speaking of which, the series was also condemned by Maïmouna Doucouré (writer and director of Cuties) for bastardizing her movie and turning it into an "exploitative and melodramatic porno", and then she was subsequently eviscerated on social media for her incomprehensible hypocrisy.
However, Gakkō no Kyūtīzu garnered controversy for far more serious reasons. Firstly, it was condemned by the Japanese media for making them look racist, which they feared would potentially affect tourism numbers. Secondly, the Japanese Buddhist community (and Buddhists in general) were offended at the callous portrayal of Ayako's parents and for the exorcism scene. But there was no outrage that was more felt than that of the government of Thailand. They were horrified at the portrayal of both the Buddhists and Pattaya, which they felt put Thailand itself in a very bad light and that it could plummet their tourism. The Thai government blamed both the Japanese government and Mary Jane for the transgression, and they demanded a public apology.
Mary Jane issued a statement defending themselves on the portrayal of race and of Ayako's parents, but they would profusely apologize for the exorcism scene and especially to the Thai government. The Japanese government would issue a similar apology to their Thai counterpart and even made a rare apology of dragging them into WWII (wouldn't an easy thing for them to admit). While both governments would reconcile, Thailand would subsequently take a much stronger stance of stamping any form of underage prostitution in the country, and would start cracking down on Pattaya's sex industry. The Philippines and Cambodia would take similar action in their own respective countries because they didn't want suffer the same embarrassment (at least some good came from this travesty).
Overall, Gakkō no Kyūtīzu is a horrifyingly controversial hentai that is reviled by many for very understandable reasons (Not as hated as Cuties, but its still notorious). Even in the hentai community, it's considered taboo for a variety of reasons. Despite that, it has garnered itself a cult following. A lot of hentai fans consider the story to be very disturbing, yet also captivating and well-written (except for when it was directly mirroring Cuties). The animation received its fair dues for being top notch, and Mary Jane's reputation would rebound despite causing a regional incident. Even the character of Ayako herself was praised for being multi-layered, having great emotional chemistry with the other girls (Chie, Komako and Tenka) and for tackling the delicate issue of colorism in Japanese society. And yet despite these positives, it still can't change the fact this hentai is always going to remain infamous (and for very good reason). And it primarily stems from the fact that it took inspiration from a film (Cuties) that should've never been made.
(That took a while to write, but low and behold! I'd genuinely like to see someone try and top this sickening trainwreck. Thank you so much for reading! Peace out!)
(Disclaimer: The following is a fictional and graphic description of an unsettling hentai. Like before, I do not endorse any of this and none of this should even be attempted in real life. If you think otherwise, go directly to jail. Also, I'd like to apologize in advance to any Brazilian users who might be offended from reading this. This is not an attack on your culture or your country. It's just a fun post that pushes the envelope and fits with this thread's theme. I still might be kicked for this, but I think its worth it. You've been warned.)
Kānibarukyūtīzu to Akuma no Shōnen (Japanese:
カーニバルキューティーズと悪魔の少年) (2024)
Kānibarukyūtīzu to Akuma no Shōnen (Or
Carnival Girls and the Demon Boy in English) is a Japanese hentai series produced by Mary Jane (it's the last one, I promise). The series is a sequel to
Gakkō no Kyūtīzu, which is both a Japanese retelling of the controversial French film
Mignonnes (Or
Cuties in English) and serves as a sequel to the taboo hentai
Shoujo Ramune. But this time, the story takes place in Rio de Janeiro during the annual festival
Carnaval. And it features a Brazilian mythological character as the titular 'Demon Boy': Romaozinho, who's an evil boy cursed with eternal youth and immortality. The series was made to celebrate the close relationship between Japan and Brazil, and to highlight the Japanese diaspora in Brazil (at least they're trying). It only consists of 2 episodes and it was preceded by a 2023 computer game of the same name, produced by Tanuki Soft.
Episode 1 starts with Sayama Yuuko and her daughters Chie and Ayako (adopted), along with their friends Adachi Tenka and Komako Semenovich, aboard a flight to Rio de Janeiro. They're going to visit Sayama Mako, Yuuko's mother and Chie's grandmother, during the annual festival
Carnaval. As soon as they get past security and customs, they are graciously greeted by Mako and she warmly meets her new granddaughter Ayako for the first time. They then take the bus to the Rocinha favela, and they arrive to Mako's humble but spacious residence. Yuuko, wanting to spend some quality time with her mother, allows the kids to explore the favela until dinner time (what could go wrong?).
The 4 girls go out and spend time sightseeing and buying street food, all while relying on Chie's broken Portuguese to interact with the locals. Yuuko had given Chie and Ayako 600 Real (Brazilian currency) to split between them and their friends for 6 days. But that means that they can only spend 100 Real per day between the 4 of them, which disheartens Chie greatly. That's when they bump into a Brazilian otaku boy named Gabriel, who recognizes them from a viral video of them performing when they were still a dance club. He professes his love for Japanese culture and he can even speak basic Japanese, so he communicate with all of them clearly. Gabriel explains that he's a talented and aspiring artist makes a lot of money making commissioned risque fanarts of anime and western cartoon characters. And he'll give them all 400 Real if they performed for him in his home, even suggesting that he'll 'tip' them if they do a great job. After a brief discussion, the girls accept his offer (this is where it starts to get messy, folks).
They arrive at Gabriel's house and he explains his parents are away in Salvador for a long overdue second honeymoon, so he has the whole place for himself for the festival's duration. After he graciously lets them eat some of his snacks, they begin to perform an audacious dance for him (it goes downhill from here). But midway through the performance, Gabriel can't restrain himself anymore and he starts to caressing Ayako's body (told you so). The girls are taken aback by this, but Gabriel pleads with them to let him lose his virginity with him. He says that he'll give them an extra 800 Real, on top of the 400 he already owes them, if they get intimate with him.
Tenka, Komako and Ayako are very reluctant at first, but Chie tells them that it could be the perfect opportunity to discreetly raise their budget so they can buy more food and souvenirs while in Brazil. Additionally, she says that Gabriel has been very accommodating for them thus far and so they should give him a reward. The others relent and they all spend the afternoon with each of them doing a multitude of sex acts with a boy they've just met (it's a hentai for a reason). After its over, Gabriel wholeheartedly thanks them and even gives them a tip of 200 extra Real for the great service. So the 4 girls earned a total of 1400 Real from Gabriel, on top of the 600 given to them by Yuuko. Exhausted but happy, they tell Gabriel that they'll be seeing him regularly throughout their time in Rio de Janeiro, which makes him elated (he's going to be important later). The girls return to Mako's residence just in time for dinner, and she asks them how was their day. They merely respond with they've had an 'enlightening' experience. Yuuko tells them once they finish dinner, they should get themselves cleaned and then get some rest, because
Carnaval is tomorrow (but this night will be anything but ordinary for these girls).
The girls then wake up in the middle of the night to the sound of broken glass. Someone had broken into Mako's house and stolen her precious necklace. Yuuko wants to call the police, but Mako tells her that its better to wait until morning. The elder woman suspects that Romaozinho must be the culprit (the titular 'Demon Boy'). The girls ask who he is, and she explains his backstory and his devious personality. Yuuko dismisses him as a myth, but agrees to wait until morning. When the girls go back to bed, Chie is convinced that Romaozinho is real and they have to get the necklace back. Tenka and Ayako aren't convinced, but Komako decides to investigate for herself by opening the window and quietly stepping out of the house. The other girls follow her and they discover broken glass from the bathroom window, along with a faint trail of blood. The small footprints indicate that it was most likely another kid, yet they can't determine if its Romaozinho or not. They decide to follow the trail into the wilderness.
Episode 2 begins with the girls going into the wilderness and they catch up with the culprit and find out that he is indeed a demon boy. Chie, using her broken Portuguese, demands to know who he is and that he gives back the necklace. The boy tells them that his name is Romaozinho and that they'll have to take back from them. He's too injured and fatigued to run further, but he has more than enough power to resist them. The girls then talk among themselves and they come up with a strategy. Chie explains to him that the necklace belongs to her grandmother, and that she told them about what happened to him. She elaborates that they empathize with him and will help him cope if he gives back the necklace.
Romaozinho then mournfully tells them that he does regret his actions often, but he is cursed to remain this way unless he finds a way to collect enough mana to 'become a man'. And he can't achieve that by forcing himself onto a mortal being (he might be evil, but even he's firmly against rape). Chie then tells them that they can help him become a man, but he retorts by saying that he's not allowed to take a mortal's virginity either. But much to his shock, she explains that none of them are virgins and that they'll give him the mana he needs to reach to reach adulthood. He still isn't certain, but he decides to allow them to try. The rest of the night consists of the girls stripping down their pajamas and seducing him, before using their 'experience' to arouse him and generate tons of mana for him via intercourse (tame compared to
Gakkō no Kyūtīzu, but that's not saying much).
Dawn has arrived, and the girls are completely worn out. Romaozinho, meanwhile, is coursing with mana and he then transforms into a older version of himself. He may still be an immortal demon, but he has finally become a man (and a morally grey one rather than an evil one). He warmly thanks the girls for their help and he gives them back the necklace, along with his leftover mana so that they are now thoroughly awake. As Romaozinho departs further into the wilderness, the girls redress themselves and they wonder how they're supposed to get home. But that's when Gabriel finds them, explaining that he heard a commotion last night and that he saw them heading into the wilderness, so he decided to look for them when they hadn't come back in a while. They explain the situation to him and they wonder how they're going to explain all of this to Yuuko and Mako, but Gabriel knows what to do (told you he would be important later).
They all walk back to Mako's residence and the girls sneak back into their bedroom through the open window, with Yuuko and Mako being none the wiser. Gabriel then knocks on the front door and explains to both Yuuko and Mako that he heard a window breaking last night and he discovered a 'mysterious boy' holding a necklace, so he fought the boy to take it back and give it to its rightful owner. They both thank him graciously, with Mako sweetly reminding Yuuko of the value of patience. They allow him to have breakfast with them and 'introduces' him to the girls (yet they are already
well acquainted with him). He offers to help the girls celebrate
Carnaval, which they happily accept.
We then see a long montage of the girls celebrating 'Carnaval' by dancing at the festival, helping themselves to plenty of street food, trying out a variety of provocative dresses for Gabriel, letting him take pictures in those dresses, and also performing lewd acts with him regularly (of course there's a catch to it). On the day of their departure, they visit Gabriel one last time and he thanks them for all the time they've spent together. He then gives them one final gift: 5 pieces of lewd and
free fanart featuring them (one for each of the girls individually, and the final one showing all of them together). The girls thank him back and Chie, in more advanced Portuguese, sweetly flirts with Gabriel and tells him that she'll be seeing him again the next time she comes to Brazil, so he better be ready to have plenty of 'yogurt' waiting for her (it's a reference to the original
Shoujo Ramune). The girls then go back to Mako's residence and warmly embrace her before departing with Yuuko back to the airport via a bus. As they are flying back to Japan and Yuuko is napping with her earphones on, the girls quietly talk with each other about the eventual experience they've had, and they vow to explore more of the world when they grow up.
Kānibarukyūtīzu to Akuma no Shōnen was received much more favorably, in comparison to
Gakkō no Kyūtīzu, among the hentai community. They appreciated the story being vastly more lighthearted, the animation finding a way to be even better than before, and relying on its own elements rather than copy anything from the reviled film
Cuties. In Brazil, the reception of the hentai was considerably more mixed. Brazilian conservatives would lambast it as 'smut' and accuse Mary Jane of promoting 'pedophilia' and 'underage prostitution', which they claimed would damage Brazil's image and tourism industry. However, the general consensus of the average Brazilian (of those who even bothered to hear about) was that it was a taboo piece of pornography that didn't really hurt Brazil's image and that was actually respectful of the Brazilian culture, especially in comparison to
The Simpsons Season 13, Episode 5:
Blame It on Lisa (now
that ruffled the feathers of the Brazilian government
and the populace). Now, it certainly wasn't an endorsement of the hentai, but it wasn't an outright condemnation either. But it ultimately inspire the Brazilian government to take a more firm effort of stamping out underage prostitution throughout the country (well, some good did manage to come from this).
Overall,
Kānibarukyūtīzu to Akuma no Shōnen is considered by just about everyone as an improvement over
Gakkō no Kyūtīzu, and its considered to be a fitting ending to the
Shoujo Ramune trilogy by the average hentai consumer. But though it is tamer than its predecessor, it is still considered to be a pretty taboo hentai and is avoided by many for obvious reasons. In fact, the entire trilogy is considered to be taboo in the eyes of the general public, though
Gakkō no Kyūtīzu is easily considered the most notorious one.
(This sequel has been on my mind for a while, and I finally had the chance to write it down. It's all over now. Hopefully this one is more tame than the last one. Peace out!)