Vignette: The Stars in the Sky

The Stars in the Sky
Vignette: The Stars in the Sky


New York Times review of “The Stars in the Skies” by Fred Hoyle, September 16, 1990 issue.


Fred Hoyle may be known to American audiences as the 1980 Nobel Prize winner with William Fowler, Subrahmanyan Chandrasekhar, and Geoffrey and Margaret Bubridge, or for his series for the BBC, such as 1966’s The Black Cloud or 1978’s The Tenth Planet, (the latter co-written with Arthur C. Clarke), often broadcast on the Federal Broadcasting Corporation as of late thanks to the recent détente between the two sides of the Pond. While perhaps not as popular as his contemporaries like Stephen Hawking or Freeman Dyson, Hoyle’s contributions to physics should not be forgotten, though his stubbornness regarding certain topics, including rejecting the “Cosmic Egg” theory, and his controversial opinions on certain topics have earned him the ire of many of his colleagues. This sort of rebellious spirit, now on full display with the Openness era of [Michael] Moorcock and [Gerry] Gable, is embodied in his new memoir, “The Stars in the Sky”, exploring his misadventures within Red Britain and how it exposes the weirdness and paradoxes that lay in its heart.


Hoyle was only ten when the revolution happened. He couldn’t recall much of it being around his hometown of Gilstead. However, he remembered how his school was restructured in its aftermath, now with an increased focus on Marxist history and new experimental ways of teaching. He would go on to Cambridge, studying Mathematics, before leaving briefly to join the war effort in 1937, working on the radar staff, with sojourns into the center of the war in Spain. When the US entered the war, Hoyle took the opportunity to visit observatories across the country, and in particular, Caltech and its then ongoing supernovae research. As he describes it, he quickly connected it with the Tube Alloys program (which would lead to the Soviet-British atomic bombs dropped in Dresden and Nuremberg), and its focus on nuclear physics, giving birth to the idea of stellar nucleosynthesis. He assembled a group of colleagues in the field, and together they would assemble a paper concluding that many elements are born from the processes of stellar fusion, and spread through supernovae. It was this paper that would eventually earn him and the other scientist the most prestigious award in physics.


In spite of this achievement, Hoyle was controversial amongst British scientists for his views. The primary impetus of this was his outspoken opposition to Lemaire’s “Cosmic Egg” theory, positing instead a static universe. This advocacy would alienate him from many colleagues as evidence mounted for Lemaire’s theory. He even tried to reconcile General Relativity with his ideal, much to the derision of scientists across the world. His other ideas weren’t met with any more acceptance, including his collaborations with Soviet astronomer Iosif Shklovsky on speculating that Mars’ moon of Phobos being a hollow alien craft or his current work with the ideas of “panspermia”. Much of the book is dedicated to explaining and justifying his views, though with no more convincing evidence.


The real meat of the book comes from his ambivalent experience with the communist British government and its Soviet backers. He recalls, with bitterness, JD Bernal purging many geneticists from the People’s Academy of Science, including famed biologists JBS Haldane and John Maynard Smith (forcing some of them into exile to places like Canada, the US, and even other Communist countries like Germany and India) during in the immediate post-war period due to their outspoken opposition to Lysenkoism, and the tightening of Soviet-British relations leading to a more widespread adoption of that ideology. Hoyle admits reliefs that his chosen fields were never targeted, though notes that colleagues from all fields were regularly arrested for various indiscretions.


Hoyle also describes the byzantine intricacies of the Socialist British bureaucracy, especially as he branches out into TV writing. The various parts of The Black Cloud were subject to a variety of rules and regulations by the BBC, which tightened production costs and forced them to change parts of the script, (including, incidentally, references to Mendelian genetics). Because of the rise of détente in the period, and the prestige afforded to him by Black Cloud, he and co-writer Clarke faced less opposition in making Tenth Planet. However, they were forced to make the story more about an international expedition, than the original script describing a competition between the Comintern and the American bloc as they planned expeditions. The other projects would find themselves lost within the larger bureaucratic system, and Hoyle shares several excerpts. Hoyle contends that other science fiction and indeed most TV series in Britain (and some in the USSR and other parts of Europe) had to deal with these sorts of issue.


Hoyle reserves his largest scorn for the many sorts of authority figures that pervade every part of that bureaucracy. He describes how he and his Nobel co-Laureates were accompanied by body guards, because there was fear that they would defect in American-backed Sweden. Hoyle speculates this was due to his support for CND (Campaign for Nuclear Disarmament) advocates like Hawking or Malcolm Caldwell and their release. He was also accompanied on trips to the US or Brazil, or even once to India, where he briefly met with Haldane (now in exile). He also spends time heavily attacking JD Bernal for the previously explained actions.


In the final chapter, Hoyle expresses hope for the future, stating that the rise of nuclear disarmament agreements, which has allowed the “Doomsday Clock” to be set back to over ten minutes to midnight, and the growing scientific cooperation between the Comintern bloc and American bloc (as shown in a recent conferend, as well as the reforms made under Moorcock, gave him some hope for the future. Hoyle however cautions that these are not full victories in and of themselves, but steps towards larger goals of world peace and technological development.


“The Stars in the Skies” is highly recommended for its portrayal of an eccentric, interesting figure at its center and a look into the scientific world in the Eastern bloc.
 
Quatermass Memoirs
Excerpts from "The Quatermass Memoirs", BBC radio program, aired 5 installments in March, 1996. Narrated by Nigel Kneale, Andrew Keir (in the character of "Professor Bernard Quatermass"), and Emma Gregory (in the role of "journalist")

[...]

Kneale: Along with the rise in Cold War paranoia was the news of growing collaboration between the British and the Soviets in terms of rocketry research, especially after the devastation wrought by the V-2's during the Second World War. Our own burgeoning rocketry program was helped by Russian officials, and news of launches reached the papers. This was years before Sputnik-1, of course, but there was a growing sense of wonder and potential regarding these new devices, and that influenced the efforts taken with the new serial.

[...]

Quatermass: In the late 40's, the Rocket Group was sublimated into the growing British military complex as part of their new focus on national security in the wake of the Cold War. Our dreams of interplanetary travel became attached to more Earth-bound desires to see a fleet of ICBMs to complement the Soviets. I had to fight to get that flight off the ground. Our commanders disliked the idea and its little military applications, but eventually, the Politiburo thought of it as a good propaganda stunt. A nice way to show British socialism at its peak.

[...]

Kneale: The climax in the original script was set in Westminister Abbey, but I realized that this was the most heavily guarded place on Earth at this point. The story wouldn't really work, and I feared censorship from the BBC for showing this deficiency in security. Hence, the setting was changed to St. Paul's Cathedral, which worked better, given its heavier weight upon the character and its staggering implications.

[...]

Quatermass: The government suppressed much of the information about the Victor Carroon incident.

Journalist: Like what?

Quatermass: They just gave the basics of what had happened at the Cathedral. Nothing on how Carroon was kidnapped by American agents or how the alien got onto the ship in the first place. They weren't about to show that they had let this happen, and allow their authority to be challenged.

[...]

Kneale: The idea of government incompetency was anathema to the censors at the BBC. They requested changes that made sure to note that the infiltration was not in the highest levels of government, and that Winnerdan flats was being investigated to the fullest. I locked horns with them, telling them this missed the point of the story. In a rare event, I won out, but had to make it clear that the secret agents for the aliens were in fact acting against official government policy.

[...]

Quatermass: During that incident, I was of course afraid to report that Party Members had been infected and infiltrating our government for months on behalf of an alien threat . Remember, this was the time following the era when being accused of working for a foreign power was a serious accusation, and our own threat felt coded. Luckily, my connection with Fowler had gotten me contacts within the SIS, who were able to send someone to investigate.

[...]

Kneale: The biggest influence for Quatermass and the Pit was the increasing interest in the idea that aliens had come in our distant past and influenced the creation of human civilization and religion. Whilst dubious by most accounts scientifically, these would pop up in the [Daily] Worker every now and again to continue the campaign to discredit religion. I figured that it would be a great plot device.

[...]

Journalist: So, Breen and the Defense Minister decided to open up the craft.

Quatermass: Yes, they figured that the threat from the alien was neutralized, despite us showing that they could still transmit signals. They needed it to discredit a particular critic of the regime. An Anglician cleric. Might as well show that the aliens were our gods.

Journalist: That wasn't mentioned anywhere in the reports.

Quartermass: Again, stricken from the record.

[...]

Kneale: Quatermass In the Beginning was a more straight forward historical attempt for the character. Focus on him and the early years of the British Rocket Group, and their interactions with other international rocket groups at a Paris , particularly the friction they might have with the Nazi VfR. Ironically, there was less censorship in this regard, even though one aspect involved him helping an accused Soviet rocket scientist get out before he could be sent to the gulags. I was quite proud of having them team up with the Americans at this point of time, given the tension between us.

[...]

Quatermass: Pavlov getting to London happened just as the war was beginning, and I was drafted to serve.

Journalist: Any comment on that?

Quatermass: Unfortunately, much is still classified. I was in Spain, is all I can say.

[...]

-------------------
 
Challengers of the Fantastic
Challengers of the Fantastic

The Challengers of the Fantastic are an American superhero team created by Jack Kirby in 1958 for Archie Comics.

The Challengers are Matthew "Prof" Reed, Ben "Rocky" Grimm, Sue Stark and her brother Johnny "Red" Stark, and Wyatt "Comet" Wingfoot. Whilst flying an experimental rocket as part of Prof's attempts to get a satellite into orbit, the five caught in an Van Allen belt, belted with Cosmic rays. When Rocky lands the craft back on Earth, they find they have very specific powers granted by the rays. Prof becomes a yellow monstrous figure when under stress (though he eventually learns to control it over the series), Rocky gains earth powers, Sue gains various telepathic and telekinetic powers, Red shoots energy of his hands, and Comet learns to fly. They use these abilities to adventure, finding strange worlds and peoples around the universe. They also encounter villains, such as the Mole Man, Rama-Tut, the Hangman (the brother of the former person using the "Comet" name), Red Scare terrors Dr. Kragov's Apes and the Gargoyle (Jerome Black), and eventually, big cosmic threats like Galactus and Annihilus. Their biggest threat is Dr. Demon, a British royal turned iron masked Red whose genius parallels Profs and who eventually breaks with the SRB to achieve world conquest.

Kirby had created the team for Archie after the success of his and Joe Simon's The Fly in 1956. He had been doing work with National Comics during the 40's and 50's, doing work like Youth Romance and Tales of the Mob. However, due to a dispute with editor Jack Schiff over his syndicated strip Sky Masters and an unauthorized revival of Simon and Kirby's 1940's characters The Minutemen (created for the war with Japan), purchased from the defunct Timely Comics, Kirby jumped ship and was lured to Archie by Simon, his former partner. Together, they relaunched many of the former MLJ heroes. Indeed, the Challengers featured a revamped version of the Comet, a 40's hero. The Challengers would cross over with other Archie heroes including the Fly, Spyman, Jigsaw, the Silver Spider, the Fox, Black Hood, Thor, Mister Miracle and the Shield during the "Silver Age" of Comics.

The Challengers, with other heroes, became part of a massive legal battle between Archie and creators Kirby and Simon (having left for former employer National), who sued in 1977 to gain the rights back to their creations. Though they would lose that battle, they would team-up with Dan DeCarlo (writer of Archie as well as Sabrina the Witch and She's Josie) and attempt a copyright termination under the copyright law of 1980. Archie and the creators settled, with their credits prominent, and an annual pension.

The Challengers were first adapted for a TV series as part of the "Archie Animated Afternoon" on CBS, along with the Archie Crusaders (Fly, Spyman, the Silver Spider), and Archie and Friends in 1964. They gained another series in 1977 (which prompted the lawsuit from Simon and Kirby), replacing "Red" Stark with a robot HERBIE. They would also get a live action film directed by Joe Dante in 1986, and a few guest appearances on the Mister Miracle series (1997). They would appear in a live action TV special in 2008, The Challengers meet Archie and Friends.
 
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