The Red Rose Blooms

"If a single thing had gone differently for the Lancastrians in 1471, had York been luckier at battle or the storms more fierce, it is likely England would have remained under different rule and Europe as we know today would have been quite changed..."

- A History of the Lancasters: From England to Spain by Jeffrey McNab

The Years Under Edward of Westminster

To win is to live, to lose is to die.

The arrival of Edward of Westminster, Prince of Wales in 1471, daring to face storms to bring an army to hold England from the York Usurpers, was seemingly protected by God. Despite heavy storms, which separated and partly destroyed his enemy’s fleet, the Prince of Wales would arrive unharmed and ready to fight.

Riding first to London, he was reunited with his father, a man he had not seen for many years. The reunion was tense, and the King and his son, although there may have been love, were never close. However, when he rode out with George of York, now Duke of York, and the Earl of Warwick, he felt sure of success. And, although it was a hard battle, ultimately the Lancastrians won. There had been rumours that the new Duke of York had almost switched sides at the last moment, but it seems the presence of the young but fierce Prince of Wales had kept him in line.

"...so if anything can be said of George, Duke of York, it was that he was consistent in his underhanded tactics, and would leave the worst reputation of any 15th century nobleman..."

- York and Betrayal by Henrietta Stanley

Two of the three York brothers were slain in the Battle of Barnet, and with George of York as the last scion of the York branch, he became the beloved brother in law to the
Prince of Wales, and was set the task of bring the widowed Elizabeth Woodville out of sanctuary, to swear an oath of fealty to the returned Lancastrians.

Elizabeth, with a newborn son, refused repeatedly, and eventually, the Duke of York received orders to remove the infant Edward of York and his sisters from sanctuary:

“Children cannot claim sanctuary, and especially not the children of traitors.”

However, the new regime did not bring them out to kill them, but at least for the girls, to fold them into the new court system. They were the grandchildren to Jacquetta of Luxemburg, dear friend to the Queen, and Margaret of Anjou ensured they were well cared for. The son was an issue, but the Queen could not find herself with an infant’s blood on her hands. Thus, he was instead kept hidden, to await a firmer judgement.


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The birth of Christ, as the birth of Edward, Prince of Wales (1474)

Part of a larger series of paintings depicting the Lancastrian heritage with religious imagery, Henry VI of England and Margaret of Anjou are depicted as Joseph and Mary, with Edward of Westminster depicted as Jesus. In the background, Henry VI of England is backed by his father and grandfather, while Margaret is stood behind by Catherine of France, Henry VI's mother. Above them, angels sing the praises for babe, both for Christ and the Prince of Wales. Lancastrian propaganda at this time was very driven by religious texts, and soon this generation of Lancastrian rule was associated with piousness.

The returned Lancastrian royals were not always so kind to their enemies. If Margaret of Anjou was unable to kill a child, she was certainly able to kill a woman and in June of 1471, Anne of York was arrested for treason, for her attempts to sway the Duke of York, and her husband became a widower in August of that year, when she died in captivity, potentially of murdered but most likely simply illness due to poor conditions. Her sister Elizabeth of York would be join her in July of that year, and the de la Pole family would remain under suspicion. However, Elizabeth of York returned to her family in January of 1472, and soon after, her son was taken in as one of the Prince of Wales’ men for his household in Ludlow, which was set up in May of 1472.

"It has often been stated, unfairly, that Margaret of Anjou systematically killed every member of the York family during her second reign after the Lancastrian restoration. That is not the case. Time and time again she gave them chances, and time and time again the York families betrayed her. Ultimately, it was a question of safety for her line, and removing threats to the Lancastrian dynasty..."

- What Killed the House of York? by George Harrison


The Earl of Warwick was, effectively, King in all but name. His daughters were the Princess of Wales and the Duchess of York, and married to the first and second in line for the throne. He had proven, ultimately, he was Kingmaker, and he begun to reward his family in a manner similar to how the Woodvilles had with their own. The Duke of Exter saw his only daughter by Anne of York married to Richard FitzHugh, heir to the Baron FitzHugh, and Anne Holland was officially made heiress to the Duke, although there was always the possibility he might remarry, but regardless Anne Holland was a rich girl. William Tailboys was officially granted the title Baron Kyme, and in 1474 he was offered the widowed Martha Woodville, with her dead husband’s estates, as his wife. He would accept the gift.

The royal family needed, now, a son to act as the next scion of the Lancastrian house, and when Anne Neville announced a pregnancy in late 1472, it seemed everything that the Lancastrian cause had ever fought for was worth something. The Princess of Wales was brought to London almost immediately, away from her husband, and Margaret of Anjou would watch her health carefully, controlling her to an uncomfortable degree. This event, however, seems to have brought some life back into Henry VI of England again, for a time, and he would remain active for almost a year, before his natural half-stupor returned.


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The Birth of Henry of Lancaster (1477)

A painting depicting the arrival of Henry of Lancaster, where he is presented by his mother, Anne Neville (holding the babe), to his aunt, Isabel Neville (woman holding the string with Henry of Lancaster), and his grandmother, Margaret of Anjou (standing behind Isabel Neville, holding a gift from the King). This painting, commissioned by Isabel Neville during her marriage to Duke of Exeter, was meant to show her connection to the royal family and was part of her attempts to disassociate herself from her first husband, already dead at this time. In the background, it's suggested that the Prince of Wales s standing with either Anne Beauchamp, the mother of Anne and Isabel Neville, but it could easily be one of the many women of the Lancastrian court.

It was a son, named Henry for his grandfather, and the royal family celebrated with 10 weeks of events, for a healthy and handsome babe. The Princess of Wales found herself suddenly popular amongst the royal family, and then, in October, George, Duke of York begun his rebellion. Discontent with losing his position as heir, he raised an army and marched against the royal family. In response, his father-in-law marched from the south, and the Prince of Wales marched from the North. The Duke of York almost escaped, but ultimately the English were against him, and he was killed in battle.

His wife and daughter were left friendless and penniless, and Isabel Neville was charitably taken in by her sister as the year closed, as her lands and titles were taken by the royal family. The young Margaret of York, newborn and hearty, was put in the same household as the young Prince Henry, and Isabel was made the Princess of Wales’ chief lady-in-waiting. Her father would not have her, angered she could not control her husband better. He did not, however, disinherit her or her daughter immediately, and in 1475, Anne Neville would work a marriage between her sister and the Duke of Exter as his second wife.

"Isabel Neville has been villainised by history as a woman of unending ambition, who sold two husband for a life of comfort. It's a blatantly unfair reputation of one of England's strongest survivors, who saved herself and her children from ruin repeatedly, pulled herself out of the wreckaged caused by greedy husbands, and ultimately died in a way few can claim during this time of history: asleep in her bed, of old age..."

- Isabel Neville: A Life of Sorrows by Christopher Jenk


It was that year that Edward of York, son of the former Duke of York and King of England, died in his mother’s care. Elizabeth Woodville had been brought out of sanctuary with news her son was suffering without her, and the young boy was extremely ill. While Margaret of Anjou might be blamed for treating him with incorrect care during these years, it seems the issue was a simple childhood illness, exacerbated by a lack of fresh air. Whatever the cause, it played right into the royal family’s hand, and the last York male heir was dead. That left the girls.

Much had been left ambiguous of the fates of Elizabeth, Mary and Cecily of York, elder sisters to the now dead Edward of York. They, with their mother, were now part of the Queen of England’s household, but what for? Well, in 1476, the 10 year old Elizabeth of York was quietly married off young to Anthony Hastings, Baron Willoughby de Eresby, 5 year old heir to the Willoughby fortune. The marriage was better than many expected, but it was part of the Lancastrian plan to dilute the York blood left and reward Lancastrian and Neville supporters, as the Welles family, which Anthony Hastings was directly related to, were favourite of the Earl of Warwick. The other two sisters would be left unattached for now, but were expected to make similar marriages in the future.

A second son for the Prince of Wales seems to have been conceived around late 1476/early 1477, and in mid-September, a probably premature John of Lancaster was born, and in a twist of the knife for the Yorkist supporters left in England, was made Duke of York, along with Earl of March. The elder brother, Prince Henry, was in 1478, betrothed to Marie of Luxembourg, a Princess of French descent the Earl of Warwick organised to keep the French onside, along with a promise of a betrothal between Charles of France and a future daughter of the Prince of Wales.


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Anne Neville with the Duke of York, as Mary and Christ (1480)

One of many depictions of the Princess of Wales holding one of her sons as Mary with Jesus, this painting differs as she holds the Duke of York, rather than the future King. Historians have debated whether this painting was actually intended to be the Duke of York, but it has been suggested that, at this time, Prince Henry was not a healthy child, and the decision had been made to associate both sons with Christ, with the hope that if one died, the other would continue the legacy.

Burgundy never sat well with the return of the Lancastrians, mostly because their Duchess was a Princess of York. Thus, in 1477, they declared for Elizabeth of York, and secret agents were sent to England to deal with Elizabeth Woodville, having been given wardship of Anthony Hastings, as a way to have her pay for her own keep while in London. The man from Burgundy offered thus: Burgundy would invade England to place Elizabeth on the Throne and, in return, after the Princess Mary and Cecily, Margaret of Burgundy would be given claim to England, which might be transferred to her stepdaughter.

It’s not a very strong plan, and Elizabeth Woodville decides, ultimately, not to agree, mostly because it doesn’t actually offer anything major for her. Instead, she travels with her children to her son-in-law’s lands in Northern England and, when she’s out of everyone’s view, slips in Scotland to beg for the help of the Scottish King. There, she has a Scottish Priest dissolve Elizabeth’s betrothal, and in 1478, Elizabeth of York was proclaimed Queen Elizabeth I, Queen of England and married to the 5 year old Duke of Rothesay, James Stewart. Her sister Mary was betrothed, although not married, to the Duke of Ross, also James Stewart, and Elizabeth began to look for allies.

"Going to Scotland was a stupid move by a desperate woman, who had lost everything to a regime that was going to wipe her family from the history books. Elizabeth Woodville effectively killed off what was left of Lancastrian sympathy towards her and her daughters by allying with Scotland, destroyed her daughters prospects and ended up ruining what was left of her reputation..."

- York and Betrayal by Henrietta Stanley


The English were infuriated. Margaret of Anjou had, in her royal mercy, been kind to the children of the pretender to her husband’s throne, and now, she was repaid in villainy. Taking a stand, 12,000 men were gathered to attack Scotland, to take back the evil Woodville and her York bastards, and leading the attack was the Prince of Wales, leaving a pregnant Anne Neville, two sons and a family history of bad regencies. At his side was the Earl of Warwick, and the Duke of Exeter. The war would not be long.

James II of Scotland was among those the Prince of Wales captured, and in February of 1479, having just received news that her wife had delivered a daughter, immediately betrothed to the Dauphin, he travelled with the York girls and the King of Scotland to London. Lancaster continued to prosper.

Then the Prince of Wales died.

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Edward of Westminster, Prince of Wales (1492)

The only true portrait of the Prince of Wales was painted posthumously, from the memory of his widow, at the time Duchess of Pembroke. The painting was described by some as a bad likeness, and perhaps it draws too closely to accepted likenesses of the man's son, Henry VII of England, who was said to have been stockier in build, compared to his father. However, it was considered a good enough likeness that over 50 copies were made in the following 5 years, to various degress of success, to grace the walls of those who had known the Prince.

TBC...
 
Ok so, here's what I want to do with this timeline: It's gonna get a bit jumpy, but I wanna try and do a mix of styles to try and keep focused on everything. That means some of this is going to be from historical people's perspectives, some is straight recaps of what happened, and some is gonna be history/art textbook style. I can't keep focused on my timelines at the moment and if I'm able to do this, I might be able to push through for a bit.
 
Margaret of Anjou sat near the fire, with her daughter-in-law and her grandson. Her husband, Henry of England, had suddenly demanded to be taken to the chapel, and she had decided to use the free evening to spend some time with her son’s heir, a future King of England. For a woman with hard line for most in her life, she was surprisingly tender with children, and gently brushed her fingers through his long, ruddy hair.

Little Harry, as they called the child, was fascinated in turn with his grandmother. Few could deny she had aged well, and at almost 50, had not one strand of silver through her dark locks. However, even the boy could see the harsh lines around her eyes, the tightness of her jaw even in private. But he loved her despite of those things, or perhaps because of it. His mother was kind, but soft, and often distracted, but if the Queen looked at you, she really saw you, in every facet. He was too young to be scared of that.

Anne Neville remained in her chambers, recovering from the birth of the Princess Margaret, and in her place sat a nursemaid, entertaining the Duke of York until such a time as his grandmother wanted to hold him. However, for now they sat in relative silence, enjoying the fire on a cool night.

Margaret rarely had moments like this with the children, and the Queen had demanded they not be disturbed, unless news surrounding the situation in Scotland arrived. She was sure the King of Scots might try something iffy. Something was bound to happen.

“Your Majesty, a note from the Earl of Warwick.”

A servant left the note as quickly as possible, and she passed down Little Harry to the nurse, to read what had been sent.

‘To Queen Margaret,

The Prince is dead.

We have the York girls.

We will be in London soon.

Prepare.

R.N.’

She fell against the wall.

“Your Majesty!”

“Take them out.”

“But-“

“Out!”

The nurse hurried to pull herself and the children up, walking the two out the door. But they could hear her crying as they reached the door.

“Damn the Scots, damn Woodville! Damn them all!”

Margaret of Anjou would never be the same.
 
"The ideals of the Restoration Era Lancastrian rule would survive at least through to the end of the 15th century, but the take no prisoners approach to rule would end in 1483..."

- A History of the Lancasters: From England to Spain by Jeffrey McNab

The Margaret of Anjou Years and the death of Henry VI of England


It’s not known what killed the Prince of Wales in 1479. A healthy 24 year old man doesn’t simply drop dead, but for the Queen of England, she believed it was poison, and demanded retribution. Her daughter-in-law in confinement would travel to Ludlow shortly after, and Henry VI of England, an old, quiet man, would once again break his stupor, this time for his grief, and would formally grant the title Prince of Wales to his grandson, the Prince Henry. At 6 years old, the new Prince of Wales was just old enough to know his father was gone, but not old enough to know why.

His mother could not, despite her efforts, shield him from the worst of his grandmother’s grief, and Prince Henry would learn the Scottish had done bad to his father, and that his throne was not safe. His siblings, easier to hide from Margaret of Anjou’s tirades, would not learn these lessons.

England was oddly renewed with the death of the Prince of Wales, a man they had not trusted and were faintly scared of. He wasn’t accessible in the way of other royalty, and his hard childhood had built within him a need for control in all situations. He had been noticeably cruel to his wife, and now free, few would say Anne Neville wasn’t better off, with except to her mother-in-law. However, greater losses were coming her way.

With the Earl of Warwick’s death in 1481 left the royal family at a loss of their greatest supporter. Richard Neville had been Kingmaker, and none of the royals of the time had the necessary clout to take his place. That isn’t to say the Kingdom lacked men of note, but none would have the pedigree and talent for war Warwick had had. And with that, the title of Warwick was given to the Prince of Wales, with lands kept in holding for the Duke of York, with Isabel Neville receiving land, but no rights to the title. It was a little maddening that the Duke of York’s rebellion years prior still held to her, but in her position as Duchess of Exeter, with two further daughters having been born, she was not willing to risk the crown’s displeasure by complaining.

"As Duchess of Exeter, Isabel earned the nickname 'Isabel the Royalist', for she was possibly the greatest supporter of the royal family. She was a mainstay in Margaret of Anjou's court, her children lived with the the royal Princes and Princess, and when it came time to split the Warwick inheritance, she received her share in spite of efforts to keep the estate in one piece for the new Prince of Wales. This was her most prosperous period, and if she would never be as close to the throne as she had been as Duchess of York, she was probably never more beloved within the royal family..."

- Isabel Neville: A Life of Sorrows by Christopher Jenk

Anne Neville would leave the court in 1481, to join her mother’s household, partially to end her own continued mourning at Margaret of Anjou’s insistence. She was still a young woman, and in 1482, entertained a notion to marry Henry Tudor, heir to the Beaufort fortune and Earl of Richmond. Instead, however, she was convinced to marry the man’s uncle, Earl of Pembroke, Jasper Tudor, while her cousin Eleanor FitzHugh was married to the Earl of Richmond. The new Countess of Pembroke would not have any further children.

The Princess Margaret was jilted in 1482 when, as part of his plan to regain some of his lands from Burgundy, the Dauphin of France was betrothed to the Princess of Burgundy and Austria, Margaret of Burgundy. Furious, ailing and a little crazy, Margaret of Anjou effectively ended her alliance with the French and betrothed all three of her grandchildren elsewhere: the Prince of Wales to Ferdinand I of Naples’ granddaughter Isabella of Aragon, Princess of Naples, the Duke of York to one of the newborn twins of Isabella I of Castile and Ferdinand II of Aragon, either Anna or Maria of Aragon, and the Princess Margaret to the Prince of Asturias. They were good matches, and Margaret managed to see the Princess of Naples arrive in England in 1483 before slipping in the night, age 53, possibly of a heart attack.

"Margaret of Anjou's insistence on Isabella of Naples for her son's bride might seem odd, particularly as her own father had claimed the title continuously, but Isabella was everything she wanted as Queen for her grandson. Ambitious, beautiful and intelligent, with Isabella at her grandson's side, the Queen of England hoped to ensure prosperity for England if things went well, and a fighter for her lineage if things went bad..."

-Lesser Mortals: The Margaret of Anjou Story by Jessica Thomas

The Lancasters were dropping like flies, and in with the death of Margaret of Anjou, the Countess of Pembroke returned to London, to act as the female head of the house, while her son grew into maturity. It was an awkward situation, and for Henry VI of England, the loss of his wife was seemingly the last straw, and the old man slipped once again into a coma, dying a few months later at the beginning of 1484. With that, the final will of the King was seen to, and the Earl of Pembroke headed a regency council, notably excluding his nephew until 1486, due to the Earl’s position as ambassador to Spain.
 
The Art of Isabella of Naples, Queen of England

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Isabella of Naples (1485)

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Madonna and Child, with Isabella of Naples as Madonna (1491)

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St. Ursula and the Holy Virgins, with Isabella of Naples as St. Ursula (1491)

Isabella of Naples, at the time England’s Queen and wife to Henry VII of England, was portrayed in exactly three paintings during her lifetime: her 1485 portrait (completed based off sketched done during negotiations for her marriage to then Prince Henry), the 1489 ‘Madonna and Child’, begun in wake of her first pregnancy, and the 1491 St. Ursula and the Holy Virgins. Of the three, the 1491 painting tends to be the one most associated with the Queen, partially due to her early death and legacy in two daughters, but also due to its unexpected popularity as a copied image in the 16th century. Whereas the betrothal portrait was generally forgotten, and the ‘Madonna and Child’ was one of hundreds of iterations of the pair, ‘St. Ursula and the Holy Virgins’ was one of few major artworks in England of the saint, and in addition to that, the only one recreated in a way easily accessible to printers.

Regardless, the painting itself is said to be the least accurate representation of the Queen’s appearance, which makes it’s popularity somewhat frustrating. All three paintings are difficult to study in that, all three were criticised for their lack of faith to the subject. The betrothal portrait is probably the closest to an exact likeness, but we know the colours used are off, as throughout her reign Queen Isabella was described as dark haired, and the painting shows a bright blonde. Despite this obvious wrongdoing in colouring (its suggested that the hair seen in the betrothal portrait is a wig, designed to make the Princess seem more socially acceptably beautiful) the betrothal portrait should be seen as the closest to perfect likeness of the Queen.

We can assume that, despite probably exaggeration, Isabella of Naples was quite lovely, as no one from 1483 to 1492 left England without commenting on how beautiful she looked. Even in 1491, during the difficult second pregnancy that later took her life, the least complimentary observation people had was that she looked frail, and even then, it seems to have emphasised her delicate build and angelic qualities.

“Drawn by god’s hand, with his light in her eyes.”

Her admirers, however, didn’t see much of Isabella’s worst traits by nature, as they were hidden from all not close to her. The Queen might have been pretty, but her tongue was sharp to those that displeased her (almost never her admirers) and her wit was cruel. She defiantly hated her mother-in-law, and is probably responsible for the rumours she preferred the Duke of York to the King of England, as they begun around the time of the birth of her elder daughter, the Princess Margaret.

Regardless of her personality, Isabella of Naples remains quite popular as a figure in English history. If she did not reign long, her lineage has lasted, with her eldest daughter’s line lasting until the present day.
 
The Regency Years

With these events, the new King of England was privately married to his bride and the two were jointly coronated towards the end of the year. The coronation was a success, but the new King was an odd boy. At 11 years old, he was short, thin and quiet, not meek but not one to laugh loud. Where his father had had a wiry, jumpy quality to him and his grandfather had been essentially a monk king, Henry VII, King of England was often still and seemingly serene, but where Henry VI had simply not been there, he was not in a stupor, but simply listening.

He unnerved his mother very much, and she found it hard to lavish him with the same affection her other children received. That isn’t to say the King was uncared for, but many noted the Duke of York was often by his mother’s side, and the Countess of Pembroke carried her daughter almost everywhere she could. She did not, however, find a new daughter in Isabella of Aragon, Princess of Naples.

The new Queen of England stands in contrast to almost everyone in the English court by simply not knowing English and being a very hard young woman. She’s beautiful but bitter, and although not tested yet, had limitless ambition. And despite how high she had risen, she wanted more. However, for now she simply tried to fit in, and since her main form of contact with the English was through her mother-in-law, who sought to over control her movements, and her English teacher, who she would later reward by ordering either he leave England or have his tongue removed from his throat, she did not do a great job.

The Earl of Pembroke was not a popular Regent, and in 1486, barely two years into the Regency, the Duke of Exeter begun a war, claiming the King had bad advisors through his mother and stepfather. Considering the two hadn’t really done much outside of keeping England in a position of peace, it wasn’t a strong claim, but with his wife, Isabel Neville, supporting him, he waged war against the royal family. His main supporters were the Duke of Suffolk and side of that, the Duchess of Burgundy, who wished to see the Duke of Suffolk as King of England, now her brothers were gone.

The last of the Yorkist claims truly died in 1488, when a 15 year old Henry VII, King of England took the field personally, although not as part of the fighting. The young King was a ruthless man, and although his mother preached at least some form of peace, he instead pushed for all to be attained for treason and beheaded. Thus, upon the capture of the Duke of Suffolk in May of 1488, he was immediately beheaded, as was his four eldest sons, including the 14 year old Humphrey de la Pole, whose death was considered unnecessarily cruel. Elizabeth of York, the Duke of Suffolk’s wife, was imprisoned, with her daughters. The two remaining de la Pole sons, William and Richard, were left in their placement as members of the Duke of York’s country household. For Exeter, his wife and daughters were to remain as part of the Countess of Pembroke’s household, as his titles and lands were attained as part of his punishment for treason. However, he was not among those captured, instead escaping to Burgundy.

His wife in England was mortified. Not only had she lost everything, her sister rose higher again, to the title of Duchess of Pembroke. Her daughters were penniless, and she herself was abandoned to a court that despised her. Twice had the husband of Isabel Neville played at treason, and twice they had lost. Thus, when given the chance, she left for the nunnery, leaving for Beaulieu Abbey in 1490. Her daughters would remain as part of the Duchess of Pembroke’s court.
 
The French War

1490 was the year that England began what was ultimately a short and ultimately ineffective move against France. By marrying into anti-French allies (Brittany, Naples and Spain) they began moves to continue issues surrounding the French Wars of past, with their new glory hungry King and his dreams of European domination.

The marriage of the Duke of York to Princess Anne of Brittany in 1490 was the first move for the English Monarchy to antagonise the French Kingdom. Although Charles VIII of France was allied with England, and betrothed to Margaret of Austria (a marriage undergone two years later), there had been talk of marrying the King to his Breton cousins. Obviously, that did not come through, and instead they kept the reigning Duke of Brittany, Francis III (the Duchess of York’s brother) at the French court for a time, where he was betrothed to Suzanne of Bourbon until such a time as there was a French Princess available for him.

However, the monarchy’s true concerns were not made clear until later in the year, when Margaret of England, against her mother’s will, was shipped to Spain, where she was taken into the court at Toledo and formally betrothed to the Prince of Asturias. The marriage would not take place until 1492, but effectively, England now had three (well two, since Brittany’s Duke would remain in Paris until 1493) allies against France. For the King, it was enough, and in March of 1491, the King of England began his invasion of France, with minor support from his allies in Naples, and no support from the Spaniards, yet.

The royal court was split during this time, partially to cut costs, partially because there were two centres of power. On one side, the Duke of Pembroke, slowly becoming a hated man in England, stayed in London, with his wife the Princess Dowager of Wales and his step-nieces, while the Young Court, as it would come to be called, sorted themselves out in Calais. The King and the Queen headed this court, and while the Princess Margaret was born in London, it was in Calais where the Queen would spend her second pregnancy.

Henry VII of England was proclaimed his great-grandfather reborn, a man of war, but ultimately, despite some good gains, he struggled to really match the King of France, and many battles ended less in a win for the English and more a draw. However, if it was to be drawn as a scorecard, England was winning, and in 1492 Spain joined the war, with the marriage of the Prince of Asturias to the Princess Margaret. Spain took what was left of Navarre firstly, then moved down the coast, to meet their English counterpoints. It was then that Burgundy moved to defend their allies, France.

Now the French/Burgundy alliance happened for two reasons: Margaret of York refused to ally with the royal house that had effectively destroyed her family, and Margaret of Austria was now France’s Queen. And so, Burgundy marched on Calais, as Calais marched towards Paris.

Burgundy’s involvement wasn’t planned for, by anyone. Spain had allied themselves with Burgundy with a betrothal between the Infanta Juana and the Duke of Burgundy, and that double pull had been hoped to keep them neutral, while France was plumaged by the Anglo/Spanish/Neapolitan alliance. But with this sudden attack, and rumblings that Savoy and Scotland were planning to derail their allies, the King of England sent word to his Regent in London: FIX THIS.

His first road of action was to neutralise Scotland, as England was underdefended and, while they might stand attack from James IV of Scotland, it was better to keep the King of Scots at bay. And thus, he sent word to the King that he was liable to find him a bride, perhaps the beautiful Catherine de la Pole.

It was not a great plan, and King James did not want a girl with no lands, a dowry compliant on good behaviour whose name was associated with an English traitor. And thus, he demanded higher: the Infanta Anna of Spain.

The younger of the twin Infantas of King Ferdinand II of Aragon and Queen Isabella I of Castile, the Infanta Anna had the distinguishing factor of being considered the most beautiful of the Spanish Princesses, and James wanted her for his wife. Spain was furious at the demand that peace came with their daughter, when England was the one at danger, but they refused to lose the war, and in if England was safe, they could put more many and soldiers into their war. France was as good as doomed.

Anna of Aragon arrived in Scotland in 1494, aged 12, to Scotland, to be married almost immediately to the King of Scots. Reports of her beauty were not exaggerated, but James found he had married a child, a beautiful child, but a child. And thus, he left her into the care of noblewomen, had her coronated, and begun his plans to invade England.

For now, however, England was safe, but Calais wasn’t. In 1492, heavily pregnant with her second child, Isabella of Naples, Queen of England, stood at the front of the armed forces left to defend Calais and spoke to them of courage and the need for strength of mind in these times. She was to die a month later.

Burgundy was to take Calais as Henry VII of England stood at the edge of Paris, and all found themselves at a stalemate. While the Duke of Pembroke tried time and time again to keep Scotland at bay, the Queen of England was held into captivity, giving birth to Anne of England and a stillborn boy, and dying due to incompetent medical care.

The King of England was a brutal man in grief, and as 1493 begun, the Rape of Paris began, as the royal family had to flee at night to the safety of the country, slowly moving to sanctuary in Lorraine, who had allied with them. However, England had taken Paris, but lost Calais, and the Duke of Orleans was closing in behind them to retake the French capital.

The King of England would release the Duke of Brittany from his captivity, as he’d been left behind to die in the wreckage of Paris. However, he was released from his French captors, and travelled to Brittany, to raise his own troops for the English cause.

However, as the King of Scots received his bride, England’s King demanded peace. He’d lost so much in this war, and had France itself in it’s knees. And so, he treated. Spain was granted the last of Navarre, adding it to the King of Aragon’s titles, and King Henry of England would be King of France. Then the King of Scots began his own invasion of England.

Henry VII, King of England had thought his homeland was safe, but ultimately, they had delayed the inevitable, and the King attacked while he was vulnerable. Northern England was devoured by James IV of Scotland, and without the troops necessary to stop them, all the Duke of Pembroke could do was prepare the south of England the best he could, and save London. It wasn’t enough for the King of England, and he sailed back to England through bad weather with his troops, bringing the army that had decimated France to save England.

It was almost too soon, but in the ‘Battle of London’, he once again took a city, this time against the Scots, and he would chase out his enemies against the odds, almost capturing the King of Scots and actually capturing his brother, the Duke of Ross, who he had hung like a common criminal.

Amongst those who proved themselves loyal was, surprisingly, Richard de la Pole, the young child of the Duke of Suffolk, who had seen his family killed by the Lancastrians. He had been offered the English crown as part of the Scottish plans for after a successful invasion, but was credited with almost 20 kills in his defense of the royal house, and he had been the mainline of defense for the Duke of York and the Princess Margaret (Henry VII’s daughter), hidden in a room from the Scottish invaders. He would, shortly after the war, be granted his father’s lands and titles as Duke of Suffolk in recognition of this bravery.

It was now that the King of England set in stone his reputation, as the greatest warmaker in Europe, and the man who had won France.

At least, he had thought France won.

But in 1495 he was to realise that few wanted the King of England as powerful as he might have been, and when he returned to France, he was shocked to find a treaty of peace had been drawn up in his absence. And he was not labelled King of France. Instead, the French royal family was to return to some of France. Spain was to take Navarre and some lands bordering Navarre, England was to receive Normandy, Maine and Anjou, and Burgundy, who was to return Calais to England, would receive Artois. Naples would receive letters patent from the King of France dropping all claims to Naples, which Charles VIII of France had previously made noises of taking, while also receiving a large monetary sum yearly from the French. It was ruinous for the Kingdom of France, but he remained unconvinced.

Ultimately, it took pressure from all four other European royals to get Henry VII of England to sign the treaty, which promised 20 years peace for all. Burgundy would return his daughter shortly after, and in 1496, he returned to England and, upon receiving multiple offers of brides from those who he felt had swindled him, married his cousin.

Returning to England, he sent his mother and stepfather to Middleham, declaring they had almost lost England for him when he needed them most. It was unfair to the Duke of Pembroke, who had tried time and time again to keep his country safe, but the King was not in a charitable mood, and his stepfather would die within a year of his country exile. His mother would never return to the capital.

He had lost much with war, but gained a reputation. And when his son was born the next year, he named him Edward, for his father, and promised that he might not face the same horrors Henry had faced. England would remain at peace.
 
The Birth of Christ and the Last Representation of Isabella of Naples

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The Birth of Christ (1501)

This painting, often forgotten as part of the royal portraits of England shows the King Henry VII of England and his first wife, Isabella of Naples, flanked by Margaret of England (left, with King) and Anne of England (right, with Queen Isabella) at the birth of Christ, here modeled after Queen Margaret (Margaret of York) holding a child modeled off the Prince of Wales, Edward of England. Now, this is truly an odd artistic venture, as it was the King's attempt to link the two queens explicitly, and to somewhat deify his second wife, who was often criticized early on in their marriage as a bad choice for the King.

Now, this painting would initially grace the walls of Westminster Palace, before being transported in 1502 to Calais, where Calais Palace was being constructed. Henry VII of England had chosen that place to be a testament to his first Queen's life, and it would ultimately house over 200 separate pieces of art, mostly religious in nature, many at least commissioned from 1483 to 1492. Now, that isn't to say Henry VII of England preferred his first wife, as there were many artistic works done in his second Queen's name, and she herself takes on the persona of the Mother of Christ in this specific painting, but ultimately, Isabella of Naples would forever be the Lancastrian Queen associated with artistic works. In her short time as queen, her patronage was decided towards the arts, in the same was Margaret of York would be associated with great buildings and charity.

This was the last painting done during her husband's lifetime that showed Isabella of Naples, and it's likely this was his final hurrah in her name, passing the torch completely to a new Queen. Artistic patronage for the 1500's would never reach the heights of the 1480's, but at least with this, and their children, Henry VII of England was able to continue his first Queen's legacy.
 
The Marriage of Elizabeth of York

In 1499, the Baron Willoughby de Eresby, at 28 years old, thought he was free to marry, and contracted a marriage to Anne FitzHerbert, of the Lincolnshire FitzHerberts, a merchant family of some esteem. However, as it turned out, he was already married, to Elizabeth of York.

Not since Elizabeth Woodville had run off to Scotland had anyone thought about that marriage, and the two had not seen each other in many years, but as it turned out, the 33 year old Yorkist Princess, still in captivity under the care of Sir Lionel FitzHugh, who received a substantial pension to keep the York girls safe from any outside contact. But, as it Anthony Hastings discovered, the Princess of York’s marriage contract to him had been reinstated, by the course of law, in 1485, probably in an effort to prevent Sir Lionel from marrying his charge, as his own wife had died that year. The other two Princesses were also married off to minor courtiers, but unlike Hastings, both had been told.

Now ready for his proper marriage, he wrote to the Pope, explaining the situation and asking for an annulment of his marriage to Elizabeth. However, there was a problem: the King did not want this marriage to end. With it, Sir Lionel or others might be liable to marry the woman, and he wanted the line of Edward of York gone. He had married the only other Yorkist heir available of a male line, and he was going to keep it that way.

And thus, Anthony Hastings made a threat to the King: either have the Pope give him permission to marry the woman he wanted to, or he would go and take Elizabeth of York as his wife in full, and thus defeat the purpose of the whole venture. And thus, in the one and only time this was allowed, the Pope granted him a note of two marriages.

In essence, the dispension made it so his marriage to Elizabeth of York was in theory and only applicable to her. He could marry during her lifetime, but she might not marry during his. Because of that, it meant his marriage to Anne FitzHerbert was allowed, and he accepted the letter wholesale. No similar dispensions were given to the husbands (“husbands”) of Mary and Cecily of York.

Elizabeth of York would manage a secret letter to the Pope in 1502, signed Elizabeth Rex, demanding her marriage be dissolved and a dispension of her own, to marry a man “as close as a second cousin”. The letter was never responded too, but obviously it was not granted, and in 1511 the former Princess of England died of a heart attack. Her sisters were both dead at this point, and it was a sad end for the last scions of York.

Her husband, meanwhile, would be lifted to the title Viscount Willoughby in 1506 and fathered 7 children on his FitzHerbert bride. He seems to have taken his first wife somewhat seriously, and from 1499 to 1511, he sent money and presents to Elizabeth of York. His death in 1532 would be mourned rather well by his family, and in the monument erected in Lincolnshire to his life (where he was buried in his wife’s family’s funeral plot) he was sided by both Anne FitzHerbert and Elizabeth of York.
 
Wow! Great TL so far, I'm enjoying the course of events. The Prince of Wales's death completely blindsided me, let's hope that his son is more competent and lucky than Henry V.
 
An Excerpt from Isabella Hunt's 'Margaret v. Margaret: Lancastrian Love Affairs and Tidbits'

"...The Prince of Asturias had made a bad marriage. Almost 20, he had never really loved his wife, the short and childish Margaret of England. Almost of an age with him, she was everything he didn’t want, and despite living together for almost a decade, her sharp manners and nasty streak made her unpalatable to him, and as illness began to take him as they arrived in Salamanca, where the Princess of Asturias planned to give birth to their child, he frequently wished he could just slip away and leave her behind.

He got his wish soon enough and, in November, the Prince’s wife struggled to give birth to the Infanta of Spain, Isabella, while he died under the doctor’s care. Rumours would persist that he had been bled to death, in an attempt to end his fever, but regardless of what took him, he left a widow and a young, sickly daughter.

Margaret of England mourned in her own way, but was overpowered by the royal family. She might have been their daughter-in-law, and his wife, but the part of the woman he left behind was played by the Queen of Castile

“My son!”

She cried endlessly. While the English Princess spent her days in suitable silence, alone in her rooms, the royal family surrounded the Queen, and left forgotten was Juan’s baby, the Infanta Isabella. The Infanta Catalina would be the only royal to visit her sister-in-law, but found that unsatisfying. Without a son, Margaret of England felt more nervous than sad, and since she had not gotten along with her husband, she wondered if they planned to keep her locked up once the mourning was through. She wanted to go home.

Ultimately, this time of trauma was enough to sour the Spanish Queen on England all together. Despite rumours that the Duke of York was to set aside his Breton wife and for the Infanta Catalina, no such marriage would take place, and in 1500, after the tragic death of the Infanta Isabella, Margaret of Lancaster would be sent back to England, to become the focus during one of the greatest love triangles of the 16th century..."
 
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